Thursday, September 10, 2009
I hope you enjoy this simple project is chinelos decoration or sandals, very basic and facilitated to do, the materials can change at home, you can also use recycled materials, small pebbles, beads, sequins and even small colored feathers that already dfe will each account. Puublicado to order from: Sulheidy
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------- NOTE: If you want to publish something leave us your comments and we will gladly reply to your request 
Wednesday, July 15, 2009
Threads, Accounts, wire, tools: pliers. The Wire:
You can use nylon, linen, elastic, copper, brass, steel, silicone, polyester.
also
Wire: 
A variety of wire in different thicknesses, galvanized or plated silver, and a more accessible and affordable is the thread of cobre.Este latter is used especially for animals, 3D shapes and flat too.
also excellent for earrings as with tweezers and pliers can give shape to the ear.
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Bijuterias Manual:
CHILE
VENEZUELA
Mango
handle most important thing is that it can be caught easily by hand. Its length depends on the purpose for which it is intended. In principle, we can say that the short handle used for watercolor techniques and design, and handle long or too long for oil or acrylic. The wooden handle is varnished to protect it from solvents. The better the quality of the brush has more layers of lacquer.
Recorded
engraving that appears on the handle determines the number or size, the series that mentions the type of brush, and the brand. In grades Rembrandt and Van Gogh also mentioned the type of hair.
splint
engraving that appears on the handle determines the number or size, the series that mentions the type of brush, and the brand. In grades Rembrandt and Van Gogh also mentioned the type of hair.
splint
The ferrule or ferrule is the connection of the handle to hair. Which correspond to the cheaper brushes are tin and lead solder joint. Another quality is the seamless aluminum. The best quality brushes as Rembrandt and Van Gogh, have a cast stainless seamless nickel plated brass, like those of Dibu Artistica. For continued conservation, must care for and keep clean.
hair beam
This is the most important element of the brush. In general, are natural animal hair, except the so-called synthetic filaments. Each hair type has its own characteristics, which are what give the brush a character. Talens is served in so far as possible of the natural properties of the hair, making it not cut and maintain their most natural form. then details the types of hair, which is what determines the final quality and characteristics of the brush.
brush Forms
buffered Brush
is a round brush with flat end coarse hair. It is the only brush in which the ends are cut their hair.
fan brush
Used to make a uniform color transition. They are also used to blend pastel and charcoal.
Cat Language
brush This form combines the advantages of a flat brush and round brush tip. Detail suitable for both large areas, allowing for contours
flat brush
A Gussow is a flat brush with a straight edge, is named after the painter Gussow, from Munich. The hair length is at least equal to the width. Interlocked model or "locked from the inside", is formed by two bundles of hair subjected to a process that gives them a curved shape, so that one is inclined to the other, the bristles of a take Interlocked more separated than those of a normal flat brush.
round tip brush
This model can only type or polyester soft hair. The hairs in the center of the brush are longer than the outside. It is widely used for fine and detailed
Tuesday, June 23, 2009
72 Ford Torino Station
Continental Summit of Indigenous Peoples and Nationalities of Abya Yala
The header of the call for Continental Summit Indigenous Peoples and Nationalities of Yala Abya of Puno said "Abya Yala trembles with the eruption a political actor was invisible for centuries "and that is precisely the event of Puno, thousands and thousands of indigenous Abya-Yala met to discuss, debate, from 27 to 30 May 2009.
For a discussion of the themes were established 14 working groups, these tables were made up of delegates of different nationalities and indigenous peoples Abya-Yala. All tables were scenarios for debate and discussion, made by the Indians themselves, where they showed ability to discuss, analyze and generate proposals and outline to find the sum Qamaña (Jaqaña) Sumaj Kawsay or the Good Life (Living with everyone and yourself in harmony) .
Indigenous Peoples and Nationalities again announced to the world that we have proposed to save mankind from an impending holocaust which leads the neoliberal economic model, to achieve their goals, ruining, destroying the habitat of mankind , pillaging natural resources left and right, alienating transnational corporations without any respect to the sacred Mother Earth.
our science and ancient wisdom is the only way to save humanity, we are not wrong, perhaps, for some of us are dreamers. For them, there is irrefutable evidence of scientific / technological level of the Mayans, Tihuanacotas and many others.
participate in this international event, representing the Nation Sura, a large delegation head to our Jiliri Mallku Tata Freddy M. Bernabé to denounce the world, irreversible damage to our Mother Earth, for the purpose of mining pollution. Ayllu the bomb was in this international event Virginio Sandy, Sandy and Jobito Manici Sandy.
Our participation was in several tables, with an emphasis in the commission of "indigenous intellectual property" which was chaired by our brother Andrew Andrango Ecuadorian President Advisory Council of Indigenous Peoples of the Andean Community, also attended by Tata Sunday Arquiri Mallku CONAMAQ Accounts (National Council of Qullasuyu Ayllus and Markas-Bolivia). Today we more convinced that the Indians are the protectors and guardians of indigenous intellectual property, for this we must create an entity for the protection of indigenous intellectual property, consisting of no more indigenous intellectuals and WIPO (World Intellectual Property Organization), which since its inception in 1967 until now has not shown favorable results for indigenous peoples, the reason is very simple, is made by West and West.
The Fourth Summit marks a milestone in the international context, because it was the epicenter of the First Summit of Children, Youth and Indigenous Women of Abya-Yala, from this summit will be children, youth and indigenous women, the makers of their own destiny.
Organizers of the IV Summit had some pitfalls, for the massive turnout at this event, indigenous brothers from all Abya-Yala, which were overcome by the warmth and hospitality of the hosts. At the end of the event representing the Nation Sura Oruro department, Bolivia, return pleased to have contributed a bit to the construction of Qamaña Sum.
Jallalla IV Summit of Puno!!
Suyu Jallalla Sura!!
The header of the call for Continental Summit Indigenous Peoples and Nationalities of Yala Abya of Puno said "Abya Yala trembles with the eruption a political actor was invisible for centuries "and that is precisely the event of Puno, thousands and thousands of indigenous Abya-Yala met to discuss, debate, from 27 to 30 May 2009.
The last words spoken by Tupac Katari said "I will die, but go back millions and millions" were realized in Puno and the previous three Summits Continental united on in Mexico, Ecuador and Guatemala.
For a discussion of the themes were established 14 working groups, these tables were made up of delegates of different nationalities and indigenous peoples Abya-Yala. All tables were scenarios for debate and discussion, made by the Indians themselves, where they showed ability to discuss, analyze and generate proposals and outline to find the sum Qamaña (Jaqaña) Sumaj Kawsay or the Good Life (Living with everyone and yourself in harmony) .
Indigenous Peoples and Nationalities again announced to the world that we have proposed to save mankind from an impending holocaust which leads the neoliberal economic model, to achieve their goals, ruining, destroying the habitat of mankind , pillaging natural resources left and right, alienating transnational corporations without any respect to the sacred Mother Earth.
our science and ancient wisdom is the only way to save humanity, we are not wrong, perhaps, for some of us are dreamers. For them, there is irrefutable evidence of scientific / technological level of the Mayans, Tihuanacotas and many others.
Children of Abya-Yala again broke into the world stage to announce the four winds, with the force that gives us the Holy Pachamama, the only alternative to capitalism is the sum qamaña (Jaqaña) for live well.
participate in this international event, representing the Nation Sura, a large delegation head to our Jiliri Mallku Tata Freddy M. Bernabé to denounce the world, irreversible damage to our Mother Earth, for the purpose of mining pollution. Ayllu the bomb was in this international event Virginio Sandy, Sandy and Jobito Manici Sandy.
Our participation was in several tables, with an emphasis in the commission of "indigenous intellectual property" which was chaired by our brother Andrew Andrango Ecuadorian President Advisory Council of Indigenous Peoples of the Andean Community, also attended by Tata Sunday Arquiri Mallku CONAMAQ Accounts (National Council of Qullasuyu Ayllus and Markas-Bolivia). Today we more convinced that the Indians are the protectors and guardians of indigenous intellectual property, for this we must create an entity for the protection of indigenous intellectual property, consisting of no more indigenous intellectuals and WIPO (World Intellectual Property Organization), which since its inception in 1967 until now has not shown favorable results for indigenous peoples, the reason is very simple, is made by West and West.
The Fourth Summit marks a milestone in the international context, because it was the epicenter of the First Summit of Children, Youth and Indigenous Women of Abya-Yala, from this summit will be children, youth and indigenous women, the makers of their own destiny.
Organizers of the IV Summit had some pitfalls, for the massive turnout at this event, indigenous brothers from all Abya-Yala, which were overcome by the warmth and hospitality of the hosts. At the end of the event representing the Nation Sura Oruro department, Bolivia, return pleased to have contributed a bit to the construction of Qamaña Sum.
Jallalla IV Summit of Puno!!
Suyu Jallalla Sura!!
Friday, June 12, 2009
Family Guy On Iphones
INTERNATIONAL FORMAL EDUCATION IN QUITO ECUADOR Anata
Kitu Kara
The people whose ancient capital was Kitu (Quito ) capital of Ecuador, were those who organized this important international event, which were participants indigenous delegations of Bolivia, Peru, Colombia and Ecuador, countries of the Andean Community of Nations (CAN).
This important event took place in the city of Quito, 27 and 28 March this year, with the participation of indigenous organizations and several exhibitors among which we mention the yachak Jaime Pilatuña, Tomas Huanacu, Virginio Sandy, Nancy Ledesma and many other Ecuadorean brothers. The main theme of this event was the development of the proposed non-formal education for indigenous peoples of the Andean Community. The contribution of the speakers was instrumental also made the experience of their countries.
were organized several workshops with the participation of exhibitors, which was essential to reach conclusions that will mark the guidelines for non-formal education in the XXI century. The experience of more than two decades of Tasiguano in this process was crucial to the success of this event.
organization This event was very well done and coordinated, there was even a cultural night, which showed a display of our culture, music and dances of Abya-Yala, full of color, as seen in the images.
is important to hold such international events, its importance is because we are Indians themselves actors that we draw our guidance from our destination, with a view towards the XXI century.
People ¡¡¡¡¡¡¡¡¡¡¡¡¡ Jallalla Kitu Kara !!!!!!!!!!!!!!!!!!
Kitu Kara The people whose ancient capital was Kitu (Quito ) capital of Ecuador, were those who organized this important international event, which were participants indigenous delegations of Bolivia, Peru, Colombia and Ecuador, countries of the Andean Community of Nations (CAN).
CAN through the Indigenous Advisory Council, support the implementation this event, the current president of the Council is Andrés Barahona Andrango Kitu Village of Kara. Many brothers joined forces for this event to reach the desired objectives among which we mention Patricio Barriga Puente, who serves as moderator of the meeting and his brother Enrique Tasiguano Muzo a tireless pioneer educator in non-formal education in the host country Kitu Kara Kichwa essence and the young leader Sacancela Blanquita Kitu president of the village of Kara.
This important event took place in the city of Quito, 27 and 28 March this year, with the participation of indigenous organizations and several exhibitors among which we mention the yachak Jaime Pilatuña, Tomas Huanacu, Virginio Sandy, Nancy Ledesma and many other Ecuadorean brothers. The main theme of this event was the development of the proposed non-formal education for indigenous peoples of the Andean Community. The contribution of the speakers was instrumental also made the experience of their countries.
were organized several workshops with the participation of exhibitors, which was essential to reach conclusions that will mark the guidelines for non-formal education in the XXI century. The experience of more than two decades of Tasiguano in this process was crucial to the success of this event.
organization This event was very well done and coordinated, there was even a cultural night, which showed a display of our culture, music and dances of Abya-Yala, full of color, as seen in the images.
is important to hold such international events, its importance is because we are Indians themselves actors that we draw our guidance from our destination, with a view towards the XXI century.
People ¡¡¡¡¡¡¡¡¡¡¡¡¡ Jallalla Kitu Kara !!!!!!!!!!!!!!!!!!
Friday, May 1, 2009
Kinds Of Subwoofer Crossover
THE RITUAL OF THE HYPE-2009 AYLLU
The Bombo Ayllu constitutes one of the few places in the Oruro (Bolivia), which remains intact Anata ritual feast (feast mainly agricultural). This consists of ten communities in two installments: Aran and Urin Saya Saya: Vila Apacheta Vilakollo, Alkamariri, Bombo, Kalapaya, Janku Pucara Pucara Grande, Quehualluni, and Pantipata Patahuanuni
The most momentous event Ritual of Anata in Bombo Ayllu takes place the first Sunday in February (or Carnival Sunday Anat Uru). That day all the inhabitants of the ten communities at the head of Native Authorities, Corregidor, Trade and Commissioners are meeting in the place of Jankhu Chanqha Vinto, hence they all go to the center of Anata Ritual that is in the community Patahuanuni.
this Ritual converge different Ayllus Centre (Sales & Media, Viluyu, Koripata and Tayaquira), which come with a single purpose, to thank the Pachamama, by delivering the first fruits that Mother Earth produces. Each Canton Ayllu or coming to this center makes Ritual and head of its authorities, accompanied by Pinquillo, sung melodies alluding to Anata.
While the authorities of different Ayllus acullicu perform the ritual, at the town hall Ritual Center. Men of different communities, initiate waraq'anaku ritual, which involves a challenge between two people, by common agreement, for which the sling or waraq'ay used as a projectile, the achacana and / or raw apple. Both sides started the waraq'anaku, which is in deep each other and then shaking hands amicably separated. Many times this ritual ends in a melee fight, which ended with bloodshed on both or one of the contenders. The shedding blood is the offering received by the Pachamama to deliver its first results. This ritual is performed to the Pachamama be more fruitful.
Anata Andina:
The aymara Anata is a party. Its context is based on the agricultural cycle, so it is a holiday ritual. As of February, is known as the month of maturation (Anat Phaxi). During this period begins to eat llullu papa "(potato gilt). At this time Wilancha rituals are performed to the Pachamama and animal Illas, as thanks for favors received. During this period the potato crops are green and lush bloom. This is a sign of good production, so the community members feel very happy.
indigenous communities in more remote from urban centers, remains intact this holiday ritual of Anata. By the process of rural-urban migration (return migration), the Anata has undergone several changes, primarily in its apparel. Since 1992, the year of the first inning of Anata in the city of Oruro, incorporate new non-indigenous. This process brings about social change and identity.
most important day Anata:
Anata
The festival consists of seven days, each day is reserved for a specific activity involving men and women, the most important day is The Anat Uru, or Carnival Sunday. Tuesday is dedicated to the celebration of the houses and herd of llamas and alpacas. Women adorn their homes with flowers Tani Tani and other wild varieties. In new houses wilancha is performed, which usually sacrifice a white flame, to offer his blood to the spirits that inhabit the homes, also called tink'a is performed, which involves the marking of llamas and alpacas with K 'illpas or holes in the ear, which is inserted color wool. There are a variety of ways of marking of each family or community, to avoid confusion with other herds. The T'ikha, culminating in the count gives the total breeding herd. Wednesday is dedicated to the potato fields, all members of the family moved to the crops pacha Jallu playing instruments according to the region.
Jallu Music & Instrument Pacha:
The music played at the time of Anata, is very cheerful, the melody is oriented to illuminate the hearts of people, plants and animals. The men play instruments and boxes aerófanos (percussion instruments), typical of the era of Jallu Pacha.
unmistakable dance Anata in the Pinquillo Ayllu Bombo, played by men. The women dance in potato bushes wearing, carrying in their hands Wiphala white, which symbolizes peace, harmony and reciprocity with nature.
The tune they play, composes the IRA, who is director of the musicians, occupies a privileged position in the formation of the whole, it represents status and power. INPUT
Anata ANDINO
The Federation of Peasant Workers of Oruro (FSUTCO) in 1992, I call on all indigenous communities and peasants to be participants in the first inning of Anata Andino. In this context anatiris come to play the ritual celebration of Anata, outside their communities and ceremonial centers. In this sense, it denotes a strong cultural syncretism, which emphasizes the use of mixtures and serpentine, elements of the carnival party city dweller.
Since its inception the entrance of Anata Andean historical connotations in turn represents an act of political positioning of the physical space of the city, which was denied from colonial to indigenous peoples. One of these physical spaces is the Plaza 10 February, which was banned decades ago that an Indian entering the city and much less to the square, representing the power of the Colony and Republic. In version
seventeenth (XVII-2009) version of Anata Andean community participation has increased, today passed the hundred, the Anata as agricultural ritual feast is a practice that transcended time in history, from our ancestors (Achachilas), so far in a complementary relationship with Pacha and Alax Manqha Pacha, so all this time is rejoicing, joy, so the music becomes the interrelated elements of man and nature.
Ayllu XVI Bombo in Anata version
Ayllu Bombo, actively participates in the Andean Anata to Pinquillo, characteristic of the ritual celebration of Anata, whose origins are lost in time and space. For its originality of its rhythm and choreography is among the ten best teams participating: 2003, ranked eighth, 2005, the third, in 2006 the third and 2007 ranked second and seventh place in 2008.
The Bombo Ayllu constitutes one of the few places in the Oruro (Bolivia), which remains intact Anata ritual feast (feast mainly agricultural). This consists of ten communities in two installments: Aran and Urin Saya Saya: Vila Apacheta Vilakollo, Alkamariri, Bombo, Kalapaya, Janku Pucara Pucara Grande, Quehualluni, and Pantipata Patahuanuni
The most momentous event Ritual of Anata in Bombo Ayllu takes place the first Sunday in February (or Carnival Sunday Anat Uru). That day all the inhabitants of the ten communities at the head of Native Authorities, Corregidor, Trade and Commissioners are meeting in the place of Jankhu Chanqha Vinto, hence they all go to the center of Anata Ritual that is in the community Patahuanuni.
this Ritual converge different Ayllus Centre (Sales & Media, Viluyu, Koripata and Tayaquira), which come with a single purpose, to thank the Pachamama, by delivering the first fruits that Mother Earth produces. Each Canton Ayllu or coming to this center makes Ritual and head of its authorities, accompanied by Pinquillo, sung melodies alluding to Anata.
While the authorities of different Ayllus acullicu perform the ritual, at the town hall Ritual Center. Men of different communities, initiate waraq'anaku ritual, which involves a challenge between two people, by common agreement, for which the sling or waraq'ay used as a projectile, the achacana and / or raw apple. Both sides started the waraq'anaku, which is in deep each other and then shaking hands amicably separated. Many times this ritual ends in a melee fight, which ended with bloodshed on both or one of the contenders. The shedding blood is the offering received by the Pachamama to deliver its first results. This ritual is performed to the Pachamama be more fruitful.
Anata Andina:
The aymara Anata is a party. Its context is based on the agricultural cycle, so it is a holiday ritual. As of February, is known as the month of maturation (Anat Phaxi). During this period begins to eat llullu papa "(potato gilt). At this time Wilancha rituals are performed to the Pachamama and animal Illas, as thanks for favors received. During this period the potato crops are green and lush bloom. This is a sign of good production, so the community members feel very happy.
indigenous communities in more remote from urban centers, remains intact this holiday ritual of Anata. By the process of rural-urban migration (return migration), the Anata has undergone several changes, primarily in its apparel. Since 1992, the year of the first inning of Anata in the city of Oruro, incorporate new non-indigenous. This process brings about social change and identity.
most important day Anata:
Anata
The festival consists of seven days, each day is reserved for a specific activity involving men and women, the most important day is The Anat Uru, or Carnival Sunday. Tuesday is dedicated to the celebration of the houses and herd of llamas and alpacas. Women adorn their homes with flowers Tani Tani and other wild varieties. In new houses wilancha is performed, which usually sacrifice a white flame, to offer his blood to the spirits that inhabit the homes, also called tink'a is performed, which involves the marking of llamas and alpacas with K 'illpas or holes in the ear, which is inserted color wool. There are a variety of ways of marking of each family or community, to avoid confusion with other herds. The T'ikha, culminating in the count gives the total breeding herd. Wednesday is dedicated to the potato fields, all members of the family moved to the crops pacha Jallu playing instruments according to the region.
Jallu Music & Instrument Pacha:
The music played at the time of Anata, is very cheerful, the melody is oriented to illuminate the hearts of people, plants and animals. The men play instruments and boxes aerófanos (percussion instruments), typical of the era of Jallu Pacha.
unmistakable dance Anata in the Pinquillo Ayllu Bombo, played by men. The women dance in potato bushes wearing, carrying in their hands Wiphala white, which symbolizes peace, harmony and reciprocity with nature.
The tune they play, composes the IRA, who is director of the musicians, occupies a privileged position in the formation of the whole, it represents status and power. INPUT
Anata ANDINO
The Federation of Peasant Workers of Oruro (FSUTCO) in 1992, I call on all indigenous communities and peasants to be participants in the first inning of Anata Andino. In this context anatiris come to play the ritual celebration of Anata, outside their communities and ceremonial centers. In this sense, it denotes a strong cultural syncretism, which emphasizes the use of mixtures and serpentine, elements of the carnival party city dweller.
Since its inception the entrance of Anata Andean historical connotations in turn represents an act of political positioning of the physical space of the city, which was denied from colonial to indigenous peoples. One of these physical spaces is the Plaza 10 February, which was banned decades ago that an Indian entering the city and much less to the square, representing the power of the Colony and Republic. In version
seventeenth (XVII-2009) version of Anata Andean community participation has increased, today passed the hundred, the Anata as agricultural ritual feast is a practice that transcended time in history, from our ancestors (Achachilas), so far in a complementary relationship with Pacha and Alax Manqha Pacha, so all this time is rejoicing, joy, so the music becomes the interrelated elements of man and nature.
Ayllu XVI Bombo in Anata version
Ayllu Bombo, actively participates in the Andean Anata to Pinquillo, characteristic of the ritual celebration of Anata, whose origins are lost in time and space. For its originality of its rhythm and choreography is among the ten best teams participating: 2003, ranked eighth, 2005, the third, in 2006 the third and 2007 ranked second and seventh place in 2008.
participate in this ritual all community, regardless of age, so the images we see in men, women and children of different ages, the most important thing is to meet the Ayni with Pachamama (Andean principle of reciprocity).
Anata Ritual Center in Bombo Ayllu
Anata ritual center of Ayllu pump is Patahuanuni Community, two miles distant. of the mining town of Huanuni, Province Pantaleon Dalence province, located 50 km from the city Oruro, linked by a paved road.
Apart from this cultural wealth living the Ayllu Bombo, has many archaeological sites ceremonial among the more important of the Fortress of Pucara, which is a pre-Inca construction. Among other attractions is the cave archaeological K'aima Salter (Chincana) and lakes (Astronomical Observatory). AUTHORITIES
AYLLU BOMBO -2009
Ayllu authorities Hype originating from this management is constituted by: Raul
Cerrogrande as Jilaqata of Aransaya, Isaac Cerrogrande JIlaqata of Urinsaya, Prudencio Canaviri as Mayor, as Mayor Rene Tovar Collector and Gumersindo Cerrogrande (Corregidor).
Anata Ritual Center in Bombo Ayllu
Anata ritual center of Ayllu pump is Patahuanuni Community, two miles distant. of the mining town of Huanuni, Province Pantaleon Dalence province, located 50 km from the city Oruro, linked by a paved road.
Apart from this cultural wealth living the Ayllu Bombo, has many archaeological sites ceremonial among the more important of the Fortress of Pucara, which is a pre-Inca construction. Among other attractions is the cave archaeological K'aima Salter (Chincana) and lakes (Astronomical Observatory). AUTHORITIES
AYLLU BOMBO -2009
Ayllu authorities Hype originating from this management is constituted by: Raul
Cerrogrande as Jilaqata of Aransaya, Isaac Cerrogrande JIlaqata of Urinsaya, Prudencio Canaviri as Mayor, as Mayor Rene Tovar Collector and Gumersindo Cerrogrande (Corregidor).
Friday, February 13, 2009
Famous Stars Family Logo
SUMMIT VOICES IN BOLIVIAN
This event, hosted by voices Bolivia took place at the wheel (Cochabamba), 29, 30 January and 1 February, and brought together over 25 participants from different parts of Bolivia. These three days of incessant activity that included lectures on the experiences of national bloggers, too New bloggers are literate and trained the participants in this Summit in the management and use of a new cyber tool is Twitter.
The Summit was well organized by leaders of Bolivia's voices: Eduardo Avila, Hugo Miranda, Mario Duran Chuquimia and cooperated in an excellent performance by brothers bloggers and supported by members of regional FLOSS Bolivian Cochabamba. This Summit
Bolivian voices are able to meet and collect the experiences developed by the members of Bolivian voices across Bolivia, the summit also served to evaluate and plan the future actions of Bolivian voices in favor of the less represented in the cyber world. In Bolivia only 4% have access to the Internet (the lowest in Latin America) and the objective of the Bolivian community of voices is to provide literacy to the majority of the least represented, which becomes an overwhelming challenge for Bolivian Voices . Bolivian Voices
with human resources in the cyber field, which lack the logistical support for this nonprofit institution to fulfill its purpose and reach the most remote points of the Bolivian territory, because we are convinced that Web-2 is a tool to reach and make known to the world, our culture, our concerns, our projects, our identity, our archaeological wealth and much more.
the Internet through the Blog, is now a window that connects us to the world and we can no longer digitally illiterate, we must join the world community with this tool to get many people, indigenous communities are mired in anonymity by lack of a tool such as the Web.
With the technological advances in great strides of cybernetics, today there are other tools besides Web-2, such as Twitter, that communicates in real time with the world, this leads us to rethink the Bolivian bloggers to update us permanently, if not, we will be more digitally decontextualized. In this process plays a decisive role Bolivian voices, for it requires support from government and private institutions, because the cyber scanning is part of the future of humanity.
This event, hosted by voices Bolivia took place at the wheel (Cochabamba), 29, 30 January and 1 February, and brought together over 25 participants from different parts of Bolivia. These three days of incessant activity that included lectures on the experiences of national bloggers, too New bloggers are literate and trained the participants in this Summit in the management and use of a new cyber tool is Twitter.
The Summit was well organized by leaders of Bolivia's voices: Eduardo Avila, Hugo Miranda, Mario Duran Chuquimia and cooperated in an excellent performance by brothers bloggers and supported by members of regional FLOSS Bolivian Cochabamba. This Summit
Bolivian voices are able to meet and collect the experiences developed by the members of Bolivian voices across Bolivia, the summit also served to evaluate and plan the future actions of Bolivian voices in favor of the less represented in the cyber world. In Bolivia only 4% have access to the Internet (the lowest in Latin America) and the objective of the Bolivian community of voices is to provide literacy to the majority of the least represented, which becomes an overwhelming challenge for Bolivian Voices . Bolivian Voices
with human resources in the cyber field, which lack the logistical support for this nonprofit institution to fulfill its purpose and reach the most remote points of the Bolivian territory, because we are convinced that Web-2 is a tool to reach and make known to the world, our culture, our concerns, our projects, our identity, our archaeological wealth and much more.
the Internet through the Blog, is now a window that connects us to the world and we can no longer digitally illiterate, we must join the world community with this tool to get many people, indigenous communities are mired in anonymity by lack of a tool such as the Web.
With the technological advances in great strides of cybernetics, today there are other tools besides Web-2, such as Twitter, that communicates in real time with the world, this leads us to rethink the Bolivian bloggers to update us permanently, if not, we will be more digitally decontextualized. In this process plays a decisive role Bolivian voices, for it requires support from government and private institutions, because the cyber scanning is part of the future of humanity.
Friday, February 6, 2009
Birthday Wording Toy Story
Llajta CONSECRATION AND OWNERSHIP OFFICERS OF THE ORIGINATING IN MARKA
This act of great importance to indigenous people of Marka Dalence was holding the consecration of new native authorities, which took place in the main square de la Villa Huanuni, the day of the kings Mays, in presence of the leading authorities in this population: The Mayor, the Deputy Mayor, City Council in full, the Civic Committee, Agrarian Trade Union officials and native authorities outgoing and incoming calls.
The ceremony was conducted by the highest authority in the province Pantaleon Dalence Apolinar Escobar Sub Prefect, as we see in the pictures. On behalf of indigenous authorities outgoing Virginio Sandy took the floor ex authority, who stressed that "the new authorities must work shedding personal interests and fulfill the mandate of their communities."
originating authorities Bombo Ayllu incoming took office promising to comply with the mandate of the community, the incoming authorities Ayllu Bombo were: Raul Cerrogrande who replaces Dion Cerrogrande in prime Jilaqata, Isacc Cerrogrande Remigio replaces Villca in office of Jilaqata Second, Prudencio Canaviri Simon replaces Ramirez in the office of Mayor of Pantipata and Rene Tovar replaces Virginio Sandy in the office of Mayor Collector Pucara Grande.
After possession, the incoming authorities are subject to congratulations from the principal authorities and community members predicting that make good management to their communities. This entertainment was nuanced the presence of Pinquillo (Joint native) and dates from the outgoing return to the community after serving a year in the position of authority, which means a lot hard work and sacrifice, as the authorities do not perceive any kind originating remuneration for work is to honor.
The ceremony was conducted by the highest authority in the province Pantaleon Dalence Apolinar Escobar Sub Prefect, as we see in the pictures. On behalf of indigenous authorities outgoing Virginio Sandy took the floor ex authority, who stressed that "the new authorities must work shedding personal interests and fulfill the mandate of their communities."
originating authorities Bombo Ayllu incoming took office promising to comply with the mandate of the community, the incoming authorities Ayllu Bombo were: Raul Cerrogrande who replaces Dion Cerrogrande in prime Jilaqata, Isacc Cerrogrande Remigio replaces Villca in office of Jilaqata Second, Prudencio Canaviri Simon replaces Ramirez in the office of Mayor of Pantipata and Rene Tovar replaces Virginio Sandy in the office of Mayor Collector Pucara Grande.
After possession, the incoming authorities are subject to congratulations from the principal authorities and community members predicting that make good management to their communities. This entertainment was nuanced the presence of Pinquillo (Joint native) and dates from the outgoing return to the community after serving a year in the position of authority, which means a lot hard work and sacrifice, as the authorities do not perceive any kind originating remuneration for work is to honor.
All community members must meet this charge, as a responsibility to the Ayllu, nobody should be denied, if denied, the whole community, expels him from Ayllu. Among the responsibilities of the originating authority is the: administration of the Community Justice, ensure human development, productive, social, participate actively in the rituals and rites Community and safeguard the territorial integrity, among others, so the original authorities are indigenous governments that remain intact from before the colony and will continue on this path of their ancestors .. infinity
At the end of each act Ayllu retires to his council, the incoming authorities and all community of Bombo Ayllu retreated to the communal house of Bombo, where they shared moments of entertainment with the brand new authorities.
At the end of each act Ayllu retires to his council, the incoming authorities and all community of Bombo Ayllu retreated to the communal house of Bombo, where they shared moments of entertainment with the brand new authorities.
Friday, January 30, 2009
Purple Highlights Vegas
How to Make Paper Mache Embossed
SIMPLE RECIPE: 
This recipe will vary slightly from traditional ingredients, so it is much simpler, with these recipes can "cover" a surface, is most recommended for the materials for this type of work
Cola Water
cut the paper into pieces and soak in water for 5 hours, then drain on paper until a mass that at first glance may be little but should be castable get wet, then add the vinyl glue or paste to give pliability and resistance to mass. At the end if you want you can add a few drops of formalin as I said before is optional but much use when you want to keep the dough longer in the refrigerator.
MOST COMPLETE RECIPE:
Ingredients:
1 tablespoon cooking oil
chalk powder Cut the paper into pieces and soak in water for 24 hours approx.
Process the role of a little and boil for about one hour. when warm drain until the pulp, when drained somewhat, with your fingers and add the remaining ingredients mix well until a smooth paste. If you want to color the paste can be added dyes or pigments. To preserve should be stored in the refrigerator and has a duration of 4 months or so.
complete recipe, including how to make flesh:
Place in a bowl and knead until no more from sticking in our hands, wrapped in plastic wrap or plastic bag.
We let stand at room temperature
. If when using this I am very liquid mass we add chalk or flour.
If dough is too dry add a little more than vinyl glue or paste.
For thin sheets of paper mache, put a plastic bag underneath and above the more and proceed to knead and smooth as any other mass.
To achieve perfection in the details to cover a part time fill the remaining gaps or cracks with a little glue.
The most important thing is that this technique is simple and we can make it with children, be encouraged to make a little dough and experience with children, they are the best artists.
This cute and easy technique has many procedures and applications, then I leave some recipes, which I hope will be helpful.
SIMPLE RECIPE: 
This recipe will vary slightly from traditional ingredients, so it is much simpler, with these recipes can "cover" a surface, is most recommended for the materials for this type of work
Ingredients: daily paper
Cola Water
vinyl or glue
Formaldehyde (optional, to prevent odors and fungi) cut the paper into pieces and soak in water for 5 hours, then drain on paper until a mass that at first glance may be little but should be castable get wet, then add the vinyl glue or paste to give pliability and resistance to mass. At the end if you want you can add a few drops of formalin as I said before is optional but much use when you want to keep the dough longer in the refrigerator.
Well! I hope you enjoy and that make at home, is just beginning to shape or to cover surfaces and try, experiment and have fun .
MOST COMPLETE RECIPE:
Ingredients:
A roll of toilet paper quality
2 tablespoons white glue or plastic fillings 1 tablespoon cooking oil
240 cc.
wallpaper glue to 140 cc. chalk powder Cut the paper into pieces and soak in water for 24 hours approx.
Process the role of a little and boil for about one hour. when warm drain until the pulp, when drained somewhat, with your fingers and add the remaining ingredients mix well until a smooth paste. If you want to color the paste can be added dyes or pigments. To preserve should be stored in the refrigerator and has a duration of 4 months or so.
complete recipe, including how to make flesh:
First make paper pulp, cutting into pieces a roll of toilet paper, place the pieces in a saucepan, cover with water, boil for 1 hour, stirring from time to time, to shred paper, remove from heat and add 1 / 2 cup of bleach and let it cool and run off with your hands all the liquid, then dry the dough is mixed vinyl glue or paste with powdered chalk, also flour can be used instead.
.
rpoblema
If the dough is that bankruptcy is added a few tablespoons of cooking oil, re-knead until desired consistency. Friday, January 23, 2009
Sunday, January 18, 2009
Groping In Crowded Bus Or Train
simple profiling is to highlight the limits of design, this is done behind the plate and supported on microporous eva rubber sheet or fabric, and turns on a hard surface is delineated only the outside . - Following these simple tips, I put a little work basics that I hope will encourage them to start with this technique:
- Emboss on metal-embossing technique
- plane - Prof. Patricia Jabif
planing to stump serves to highlight the embossed image. Is done by the reverse of the sheet
Aluminum roller smooths always to start working on it.
Aluminum has no right or vice versa, is mostly on the side where one is better physical characteristics than the other (like a mirror.)
To paste without problems on hard surfaces or non-porous silicon is placed in that area first and then attach to the surface that is more difficult to adhere.
the tools to easily slide After tracing the design, spread petroleum jelly on both sides of the sheet.
To ensure that the drawing is going well with the film, skip the tips of the fingers on the right groove and feel slightly swollen.
Materials:
tools and basic materials for the spinning process:
- a sheet of tin or aluminum.
- tracing paper, pencil, eraser and tape.
- a hard surface, which may be a durabor table or just the table where we work with daily.
- a shirt, "ballerina" or gomaeva plate.
- a pen with rounded (if no ink is better).
- a medium-thick stump. This tool is a compact paper in pencil and terminating at both ends in a point.
- chisel marble.
Materials for assembly and finishing process:
- contact cement and thinner.
- patinas: Ink black shoes, china ink or silver.
- Brasso polishes if you want a glossy, thin aluminum or sponge if you want a dull finish.
- cotton rags.
- cutting instruments, curved nail scissors, shears, punch cutting, utility knife.
filling materials:
- plastic fillings or
- polyester resin and catalyst.
- Emboss plane - Footsteps
1. Choose the piece.
2. Make a template of the piece of tracing paper. Design drawing or trace on this template, leaving at least half a centimeter of margin between the design and the edge, because the metal can be stretched and would outline design.
3. Mark the outline of the piece on the metal blade and cut the metal, leaving at least an inch of edges. This will then simplify the gluing and assembly.
4. Set the drawing on the metal plate with adhesive tape and transfer it onto a hard surface with little pressure. If you use aluminum, it is irrelevant which side to score, but not so with the tin. In case of using tin, we do the right side. (The tin has two sides and the design must be marked on the right side which is more yellow).
5. Now, remove the layer and place under the flannel sheet metal or ballerina. Redial the drawing in parts and this time apply pressure to start taking the design volume. Areas it is essential for girls and that if we do everything together we will warp the metal.
6. Remove the cloth, turn the design, and now, on a hard, first passed the stump pushing between the lines and then we outline the design lightly on both sides to fine tune internal and closing as required by drawing lines.
7. Turn and on the same hard surface, "Iron" the stump around the embossed area
8. Repeat steps 5, 6 and 7 to complete the job.
9. Fill embossed areas with fillings or mixture of polyester resin and catalyst. (For a refresher cap resin used ca. 5 or 6 drops of catalyst. I recommend staining the dye mixture as this is easier to view it).
10. Textured cross-hatched funds, or close together or spiral steel brush.
11. Glue and assemble the piece.
12. Skating with ink to black leather. Once dry, rub with a cotton cloth to remove almost completely. The aim is that the ink is deposited only at the edges, giving a visual effect of depth.
Work completed: The embossing was used to coat a 16cm box. x 16cm. that can be used to store different things, or put a grid inside and use it for tea sachets, or just for decoration! Tips
Keep all cuts that have a considerable size, since then the corner can be used to make boxes or fittings. Allocate pinceletas old to pass the contact cement and spend the ink for leather that will be provided for that use. The cement pinceleta be cleaned with toluene, the ink for leather, with alcohol.
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Series:
- embossed Course
- embossed Course
magazines + 20 + 5 Christmas (Venezuela)
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Emboss