and Silver Pencil on paper
Friday, November 3, 2006
Brent Everet Corrigan
States 4 States 2
Pen on
paper. Drawing
in one session of 1 hour apoximadamente, unused draft, all the line drawing would be part of the work. 
Pen on paper. Drawing
in one session of 1 hour apoximadamente, unused draft, all the line drawing would be part of the work.
Sunday, October 8, 2006
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Psychoanalysis
psychoanalysis through self-portrait.
So my project this picture of 3 ยบ. A series of self portraits and compositions of hand-drawn pencil, without deleting and one session each, in order to see the differences among them stroke for each mood.
was interesting the results, then I began to put gold leaf on paper and drawings won a lot of strength.
This is a small detail of "been animated 3" was New Year's Day 2 January 2006 with better looking face and end 2005. 
psychoanalysis through self-portrait.
So my project this picture of 3 ยบ. A series of self portraits and compositions of hand-drawn pencil, without deleting and one session each, in order to see the differences among them stroke for each mood.
was interesting the results, then I began to put gold leaf on paper and drawings won a lot of strength.
This is a small detail of "been animated 3" was New Year's Day 2 January 2006 with better looking face and end 2005.
Tuesday, October 3, 2006
Sunday, October 1, 2006
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Vanitas
180 x 140 oil, tin, gold and enamel.
"vanitas and memento mori"
A custom unfinished for now. 
180 x 140 oil, tin, gold and enamel.
"vanitas and memento mori"
A custom unfinished for now.
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RIP Ace of Hearts
150 X 120 Oil, tin, gold and enamels. E pluribus Unum
1983
I hope to finish someday, and continue with the idea of \u200b\u200bmaking the 4 aces in the French deck. 
150 X 120 Oil, tin, gold and enamels. E pluribus Unum
1983
I hope to finish someday, and continue with the idea of \u200b\u200bmaking the 4 aces in the French deck.
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La Fortuna
147 x 114 Oil, gold leaf, tin and enamel.
Fortune, the companion portrait of power and good friend Anton Costa.
The idea came to see a print of his, on the fortune. The picture makes a compliment to fortune: ignorance. The cup is removed from its recorded, and the two fans are fragments of a casino roulette, fortune = luck. Zero is in ignorance, the invalidity or too neutral or negative nor positive. 
147 x 114 Oil, gold leaf, tin and enamel.
Fortune, the companion portrait of power and good friend Anton Costa.
The idea came to see a print of his, on the fortune. The picture makes a compliment to fortune: ignorance. The cup is removed from its recorded, and the two fans are fragments of a casino roulette, fortune = luck. Zero is in ignorance, the invalidity or too neutral or negative nor positive.
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Immaculate Virgin Mary
Virgin Mary
100 x 81. Oil, gold and tin. 
Virgin Mary
100 x 81. Oil, gold and tin.
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Le Corbusier
Le Corbusier.
100 x 81. oil, tin and gold.
My tribute to the architecture, Corbusier.
This work won the painting competition of the Faculty of Fine Arts. 
Le Corbusier.
100 x 81. oil, tin and gold.
My tribute to the architecture, Corbusier.
This work won the painting competition of the Faculty of Fine Arts.
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Il Papa
100 x 81 Oil on wood, gold leaf and tin
.
Any self-respecting artist must paint a Pope!
The painting was a gift for Justo Gallego, who is doing the cathedral in Mejorada del Campo, is impressive work.
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Self Portrait at 21 120 x 120 oil on wood and gold leaf.
Well here I am, so I am, so is my art, nothing more nor less.
